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From Frank Nugenfs screenplay:
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"The camera frames and moves
with a lone horseman.
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He is Ethan Edwards.
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A man as hard
as the country he is crossing.
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Ethan is in his 40s
with a three-day stubble of beard.
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Dust is caked in the lines of his face
and powders his clothing.
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His saddle is Mexican...
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...and across it he carries a folded serape
in place of the Texas poncho.
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Strapped onto his saddle roll
is a saber and scabbard...
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...with a gray silk sash
wrapped around it.
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Rider and horse
have come a long way.“
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John Milius.
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In 1954, The Saturday Evening Post
ran a serial by Alan Le May...
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...called “The Avenging Texans."
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It centered on an obsessive,
10-year quest...
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...to find a girl taken hostage
in a Comanche raid.
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Later published in book form
as The Searchers...
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...it was optioned by producer
Merian C. Cooper.
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Working in conjunction with
Cornelius Vanderbilt Whitney...
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...a millionaire industrialist...
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...who had backed
the fledgling Technicolor company...
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...the two men envisioned
the project as an ideal way...
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...to reunite John Ford and John Wayne
in a Western setting.
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Ford hired Frank Nugent
to draft a script.
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With a budget of
two and a half million dollars...
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00:03:01,582 --> 00:03:04,986
...Ford divided the production
into two parts.
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While John Wayne was still
completing Blood Alley for Warners...
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...Ford sent a company
in care of his son Patrick...
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...with stand-ins for Wayne
and Jeffrey Hunter, to Alberta, Canada...
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...and Gunnison, Colorado in early 1955
for filming of the snow scenes.
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Gunnison was chosen
for its exceptional cold.
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Temperatures in the region
had been known...
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...to fall more than 30 degrees
below zero.
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Essential in story terms to delineate
the grueling nature of the search.
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On May 31st, 1955,
construction began in Monument Valley.
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The mythic landscape that became...
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...John Ford's specific geography
of the West.
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Ford, Wayne and the key cast members
bunked at Goulding's Trading Post.
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The remainder were billeted in the tent
city that was set up on the valley floor...
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...to house and feed the nearly
300 people involved in the picture.
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Even by the 1950s, the 20th century
had not imposed on the area.
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There were no roads,
no phones and little water.
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The almost daily windstorms
would whip the valley's red dust...
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...into suffocating clouds.
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Monument Valley was the farthest
spot from a railroad...
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...in the entire United States.
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There's a truth to The Searchers.
There's a sense of the West.
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You feel, somehow, the loneliness
of the Texan out there on a limb...
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...living year after year in the vast
grandeur of the unconquered prairie.
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It rings true.
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The stark landscape
and the house at the beginning...
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...the unremitting power
of nature's indifference...
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...is absolutely at the heart
of our American experience.
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The characters are harsh
and wonderful.
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They speak to us of who we are.
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Maybe not the good side always,
but I don't think that's necessary.
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The great Westerns have always
had that honesty about them...
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...that other movies don't have.
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The Searchers is also based
on an incident from Western history.
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On December 18th, 1860...
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...a band of Texas Rangers
and civilian volunteers...
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...attacked the Pease River camp
of the Comanche leader Peta Nocona.
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Nocona and his warriors
were away hunting...
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...so all of the Indian victims
were women.
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One woman, however, was spared
because her eyes were blue.
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Through an interpreter, she revealed
that she was in fact white...
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...and her name
was Cynthia Ann Parker.
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She had been kidnapped at the age of 9,
almost 25 years earlier.
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Her family had never stopped
looking for her...
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...but she had become
the wife of Peta Nocona...
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...and refused to leave her tribe.
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One of her sons grew up to become
one of the most famous figures...
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...in frontier history:
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The feared Comanche war chief
Quanah Parker.
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John Milius.
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Harry Goulding, a trader...
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...had first set eyes on Monument Valley
in 1921 when he was rounding up sheep.
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Two years later,
he and his wife laid claim...
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“in 640 acres
at the base oi Tsay~Kissi Mesa...
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...and began trading with
the Navajo indigenous to the reservation.
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The Navajo families
eked out a meager living...
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...predominantly from sheep
and horses.
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Wool weaving and other crafts
were sold to the outside world.
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For them,
Ford would become a benefactor...
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...bringing employment
and investment into the area.
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In time, they would refer
to him as Natani Nez, “Tall Leader.“
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My dad always said that he introduced
Ford to Monument Valley...
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...after he had worked on
a picture there in the '20s.
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But Ford had other ideas.
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He claimed that Harry Goulding
camped out in his office...
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...beseeching the director
to visit this great Western location.
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Eventually Ford agreed, in part
just to get the guy off his doorstep.
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Patrick Wayne.
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Ford made Monument Valley
the image of the West.
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What's interesting about Ford...
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...is that he was physically in love
with the American continent.
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Not just love of country
like you're taught in school...
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...but love of the earth,
love of the dirt, the sky...
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...and you can see it in all his films.
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He loved Monument Valley
and the American West...
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...the prairie, more than anything.
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There's nothing more beautiful
in the world than that.
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Nothing that's more dramatic.
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He would always get a low angle,
a low horizon, the wind blowing grass.
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And if possible, it would be
a lighter color than the sky.
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These are images
no one else could get on film.
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He was genuinely having
a love affair with the land.
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John Milius.
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Monument Valley in those days
was quite primitive.
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All of the women
were installed at Goulding's...
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...and all the men
were on the valley floor...
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...in this huge sort of tent city
that glowed at night with campfires...
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...and well, frankly, a certain amount
of drinking and gambling and carousing.
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Great fun.
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Pippa Scott.
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Ford was in his element...
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...on his favorite location
with a cast and crew...
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...filled with
long-time friends and family.
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His son Patrick
was associate producer.
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Olive Carey and Harry Carey Jr.
played mother and son.
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Sisters Natalie and Lana Wood
shared the role of Debbie.
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What John Ford wanted from me...
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...was terror at the thought
of what was about to happen. A rape.
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And a kind of savagery that everyone
in this remote area knew about.
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Dorothy Jordan, who played my mother,
was a friend of Ford's.
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He took her aside
and told her to really slug me.
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She hauled off with a roundhouse.
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I had a bruise on my cheek
for days after. Pippa Scott.
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- Ma, I can't--
- Lucy!
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For me, Pippa's scene
was rather frightening.
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I remember being very unnerved by it.
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You know,
she was a little bit too good.
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Especially to the point of view
of an 8-year-old child.
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There was a real sense
of gut-wrenching terror to it...
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...that I know I reacted to
very strongly.
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I was well aware
that it was all make-believe...
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...but I was still just beginning
to learn about acting...
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...and I found all performers
to be such interesting people.
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I remember for some reason...
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...it was very cold on the stage when
we were shooting the window scene.
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I was to run up the hill
and then crouch down by the grave.
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And John Ford told me
to act very scared...
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...but I remember looking up
at Henry Brandon, who played Scar...
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...and being really in awe
of his appearance.
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Here was this huge person
with the feathers...
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...and the paint and everything.
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I was trying to tell myself
that I was terrified.
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I recall quite vividly
looking up and thinking:
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"Wow, isn't he an amazing sight."
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Lana Wood.
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If you're an Indian,
you would want to be like Scar.
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You'd want to blow that horn and
slaughter white settlers relentlessly...
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...take many scalps
and have young wives.
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You want to look like Scar.
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Scar is wonderful
because he's a predator.
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The Comanche are not jackals,
they are lions.
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They're not beasts, they're kings.
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And they're gonna get you.
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Let's go!
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Ethan Edwards respects Scar
and Scar respects him back.
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But they hate each other.
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Ethan doesn't care if he dies here among
the Comanche arrows and bullets...
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...because he's gotta kill this guy
and Scar knows that.
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They have no fear of each other.
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They're dogs just barely
held by the chain.
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I think John Ford
is the best director who ever lived.
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No one else even in his class.
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He just knew it. He was a great artist.
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He could speak to your heart
and it meant something.
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No artifice.
Nothing between him and you.
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He had conservation of line,
as the Japanese say.
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He could do it
in two or three strokes...
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...where it would take
other good directors seven or eight...
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...and they wouldn't get it as well.
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He's a storyteller, like Homer.
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And when Homer got through
with a story...
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...you had something
you can read forever.
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John Milius.
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00:15:06,373 --> 00:15:10,010
You know, Ford and Wayne
were really close personal friends.
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John Wayne once said,
"John Ford directed my life."
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I recently came across a letter
dated just after The Searchers...
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...when Wayne was in Japan
making Barbarian and the Geisha.
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It's a note from Ford
to the Duke that says:
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00:15:23,824 --> 00:15:27,594
"I met Kurosawa some years ago
and he's quite a fan of ours.
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If you get some time,
I know he'd love to meet you.“
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I thought that was interesting.
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A fan of ours,
as opposed to a fan of mine or yours.
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They were that much in synch.
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The Searchers was the height
of their relationship.
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00:15:40,808 --> 00:15:43,744
They not only had
a tremendous fondness for each other...
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...but they were totally in lock step
in that phase of their careers.
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00:15:48,148 --> 00:15:49,416
Dan Ford.
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00:15:57,558 --> 00:15:59,560
I don't think there's
a better acting performance...
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...done by any actor in any movie ever.
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John Wayne really understood
the character of Ethan Edwards.
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He got it.
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00:16:07,367 --> 00:16:10,237
For people to sit there and say
John Wayne wasn't a good actor...
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00:16:10,404 --> 00:16:12,406
...is the stupidest thing in the world.
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All you have to do
is show The Searchers.
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Yes, sh.
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The character of Ethan
is so compelling.
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He's willing to be what he is.
He's God's lonely man.
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00:16:30,924 --> 00:16:32,493
He feels as strongly as anybody...
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00:16:32,659 --> 00:16:36,196
...but he realizes he's gotta be
the one that protects everybody.
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00:16:36,363 --> 00:16:39,733
His racism is interesting
because he ain't white anymore.
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He doesn't belong.
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Somehow he knows he has
to live outside with the wild things.
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00:16:46,573 --> 00:16:48,809
But he accepts that.
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00:16:48,976 --> 00:16:50,577
John Milius.
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00:16:54,147 --> 00:16:56,717
It's hard to believe they're white.
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00:16:56,884 --> 00:16:58,819
They ain't white...
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...anymore.
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00:17:00,821 --> 00:17:02,556
They're Comanche.
214
00:17:02,723 --> 00:17:05,559
Where are your casualties?
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00:17:19,072 --> 00:17:22,342
I'd never seen Duke Wayne so intensely
professional on a picture...
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00:17:22,509 --> 00:17:23,844
was he was on that set.
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I don't know how
he'd molded that character.
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00:17:26,480 --> 00:17:29,750
Perhaps he'd known someone
like Ethan Edwards as a kid.
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When you looked up at him,
it was into the meanest...
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...coldest eyes I'd ever seen.
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He seemed to live it all the while,
even off the screen...
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...and he didn't kid around as much.
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00:17:39,059 --> 00:17:40,627
I thought it was
his best performance...
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00:17:40,794 --> 00:17:42,763
...but he would never talk about
The Searchers...
225
00:17:42,930 --> 00:17:45,832
...except to say that
it was the best thing Ford ever did.
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00:17:45,999 --> 00:17:47,301
Harry Carey Jr.
227
00:17:47,501 --> 00:17:49,570
What you saw was a buck...
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00:17:49,736 --> 00:17:52,406
...wearing Lucy's dress.
229
00:17:52,573 --> 00:17:55,809
I found Lucy back in the canyon.
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Wrapped her in my coat.
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00:18:00,981 --> 00:18:03,150
Buried her with my own hands.
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00:18:04,117 --> 00:18:07,487
Thought it best to keep it from you.
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00:18:09,723 --> 00:18:11,625
Did they...'?
234
00:18:11,792 --> 00:18:13,827
- Was she...'.7
- What do you want me to do?
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00:18:13,994 --> 00:18:17,197
Draw you a picture?
Spell it out'?
236
00:18:17,598 --> 00:18:19,366
Don't ever ask me!
237
00:18:19,533 --> 00:18:22,769
Long as you live,
don't ever ask me more.
238
00:18:32,079 --> 00:18:34,615
Ford hired the Navajo Indians
to play the Comanche.
239
00:18:35,382 --> 00:18:37,417
The Navajo were superb horsemen...
240
00:18:37,584 --> 00:18:39,753
...and their expertise
was a perfect complement...
241
00:18:39,920 --> 00:18:42,789
...to Ford's regular pack
of Hollywood stunt riders.
242
00:18:42,956 --> 00:18:47,160
These stuntmen were all
a part of Ford's extended family.
243
00:18:47,327 --> 00:18:49,663
Ford used them constantly
throughout the picture...
244
00:18:49,830 --> 00:18:51,965
...and included them
in the square-dance sequence...
245
00:18:52,466 --> 00:18:56,703
...prompting the crew to nickname them
"Ford's chorus girls.“
246
00:18:56,870 --> 00:18:58,972
One of the stunt guys,
Frank McGrath...
247
00:18:59,139 --> 00:19:03,377
...had spent the previous eight months
in a plaster cast after breaking his back.
248
00:19:03,944 --> 00:19:05,212
In The Searchers...
249
00:19:05,412 --> 00:19:08,915
...he performed three separate
horse-fall and drag stunts.
250
00:19:13,420 --> 00:19:16,823
The director relayed his instructions
to the Navajo via loudspeaker...
251
00:19:16,990 --> 00:19:20,327
...through Lee Bradley,
a 54-year-old Navajo...
252
00:19:20,494 --> 00:19:23,964
...who had worked on 57 pictures
since 1925.
253
00:19:24,131 --> 00:19:26,533
Eleven of them with Ford.
254
00:20:21,822 --> 00:20:24,057
Wayne and Ford hung out together
on weekends.
255
00:20:24,224 --> 00:20:26,993
They were fishing and drinking
and card-playing buddies.
256
00:20:27,160 --> 00:20:30,230
At Goulding's in Monument Valley,
where there was nothing to do...
257
00:20:30,397 --> 00:20:33,667
...they'd play cards
and reminisce about old times.
258
00:20:33,834 --> 00:20:35,802
Dan Ford.
259
00:21:23,817 --> 00:21:26,353
One of the most powerful themes
in The Searchers is...
260
00:21:26,553 --> 00:21:28,655
...the idea of this personal quest
being played out...
261
00:21:28,822 --> 00:21:30,657
...against stuff that's gone on forever.
262
00:21:32,526 --> 00:21:35,862
The snow doesn't care.
The seasons come and go.
263
00:21:36,797 --> 00:21:39,533
The buffalo don't care.
264
00:21:39,699 --> 00:21:43,770
The Indians don't care.
The Army doesn't care.
265
00:21:44,271 --> 00:21:47,174
It's just two men
in the face of all this.
266
00:21:47,340 --> 00:21:49,309
John Milius.
267
00:21:50,544 --> 00:21:52,979
If she's alive, she's safe.
268
00:21:53,146 --> 00:21:55,615
For a while. They'll keep her...
269
00:21:55,782 --> 00:21:57,918
...to raise as one of their own until...
270
00:21:59,519 --> 00:22:01,922
Till she's of an age to...
271
00:22:02,556 --> 00:22:07,160
Well, do you think maybe there's
a chance we still might find her?
272
00:22:07,327 --> 00:22:12,365
Injun will chase a thing
till he thinks he's chased it enough.
273
00:22:12,532 --> 00:22:14,234
Then he quits.
274
00:22:14,401 --> 00:22:16,670
Same way when he runs.
275
00:22:16,837 --> 00:22:20,540
Seems like he never learns
there's such a thing as...
276
00:22:20,707 --> 00:22:23,844
...a critter who'll just keep coming on.
277
00:22:24,211 --> 00:22:27,547
So we'll find them in the end,
I promise you.
278
00:22:27,714 --> 00:22:29,616
We'll find them.
279
00:22:29,783 --> 00:22:34,187
Just as sure as the turning
of the Earth.
280
00:22:36,590 --> 00:22:38,024
I had made a few film appearances...
281
00:22:38,191 --> 00:22:40,193
...and spoken a line or two
before The Searchers...
282
00:22:40,360 --> 00:22:42,996
...but this was really the first
big mouthful of dialogue...
283
00:22:43,163 --> 00:22:44,764
...that I had on camera.
284
00:22:44,931 --> 00:22:47,767
It was unnerving with all those
professionals standing around...
285
00:22:47,934 --> 00:22:49,736
...most prominently my dad.
286
00:22:49,903 --> 00:22:52,005
He was a large, looming figure.
287
00:22:52,205 --> 00:22:53,540
He was a huge presence.
288
00:22:53,707 --> 00:22:56,376
He commanded respect
and you paid attention to him.
289
00:22:56,543 --> 00:22:59,045
And the director was my godfather.
290
00:22:59,212 --> 00:23:00,981
I wanted them to be proud of me.
291
00:23:01,147 --> 00:23:03,917
I didn't want them to be ashamed
or disappointed.
292
00:23:04,084 --> 00:23:06,653
None of the interruptions
were in the script.
293
00:23:06,820 --> 00:23:08,421
Whenever Ward Bond
or my dad broke in...
294
00:23:08,588 --> 00:23:10,156
...all that stuff was ad-libbed.
295
00:23:10,323 --> 00:23:14,227
But I just kept plowing through
because I didn't know what else to do.
296
00:23:14,394 --> 00:23:18,598
But that had been Ford's plan all along.
Patrick Wayne.
297
00:23:18,765 --> 00:23:21,167
My pa wants to know--
Colonel Greenhill wants to know...
298
00:23:21,334 --> 00:23:24,571
-...how soon you can put a company--
- Turn around, sonny.
299
00:23:25,171 --> 00:23:28,141
Yeah, he's a Yankee cavalryman.
300
00:23:28,308 --> 00:23:30,744
Colonel Greenhill wants to know
how soon you could--
301
00:23:30,911 --> 00:23:34,981
- I resent that, sir.
- Just funning, son, just funning.
302
00:23:35,148 --> 00:23:37,584
He wants to know how soon
you can put men in the field...
303
00:23:37,751 --> 00:23:39,819
...for a joint punitive action
against the Comanches.
304
00:23:39,986 --> 00:23:42,656
- Joint what?
- Joint punitive action.
305
00:23:42,822 --> 00:23:46,793
We received information about a band
of Comanches under a chief named Scar.
306
00:23:51,798 --> 00:23:56,503
By July, the temperatures had soared
to over 120 degrees.
307
00:23:56,703 --> 00:23:59,606
Sunstroke and insect bites
were taking their toll.
308
00:23:59,773 --> 00:24:04,177
And even the heartiest members of
the company were fainting in the heat.
309
00:24:05,645 --> 00:24:06,913
Over the course of shooting...
310
00:24:07,080 --> 00:24:12,652
“paychecks totaling $35,000
were paid to some 5000 Navajo...
311
00:24:12,852 --> 00:24:15,755
...introducing many of them
to the joys of income tax...
312
00:24:15,956 --> 00:24:18,858
...and social security for the first time.
313
00:24:21,528 --> 00:24:24,531
There was an accordion player
named Danny Borzage.
314
00:24:24,698 --> 00:24:27,667
He played his tunes
and kept the atmosphere light.
315
00:24:28,702 --> 00:24:31,171
He was one of the hallmarks
of a Ford set.
316
00:24:31,338 --> 00:24:34,874
A carryover from Ford's days
in silent films.
317
00:24:37,277 --> 00:24:38,545
At the end of the shoot...
318
00:24:38,712 --> 00:24:41,281
...the Navajo families presented Ford
with a deer hide...
319
00:24:41,448 --> 00:24:45,118
...blessed by sacred Indian spirits,
which was inscribed:
320
00:24:45,285 --> 00:24:47,954
"In your travels,
may there be beauty behind you...
321
00:24:48,121 --> 00:24:51,691
...beauty on both sides of you,
and beauty ahead of you."
322
00:24:51,891 --> 00:24:54,527
Brethren, leave us go amongst them!
323
00:24:54,728 --> 00:24:56,529
Bugler!
324
00:25:31,164 --> 00:25:32,866
Let's go!
325
00:26:03,096 --> 00:26:06,833
Oh, no, Ethan! No, Ethan!
326
00:26:07,734 --> 00:26:09,702
No, Ethan!
327
00:26:14,174 --> 00:26:16,643
In the end ifs all about
duty and family...
328
00:26:16,810 --> 00:26:21,047
...responsibility to your community,
no matter how small.
329
00:26:23,083 --> 00:26:26,219
Ethan is alone,
but he's also part of a family...
330
00:26:26,386 --> 00:26:28,621
...and his humanity comes through.
331
00:26:28,788 --> 00:26:32,625
He may hate Debbie for being defiled
as he himself was defiled.
332
00:26:32,792 --> 00:26:35,862
But it doesn't matter.
He forgives her.
333
00:26:36,029 --> 00:26:38,264
He can forgive her anything.
334
00:26:38,431 --> 00:26:40,400
John Milius.
335
00:26:45,605 --> 00:26:48,007
Let's go home, Debbie.
336
00:26:55,248 --> 00:26:56,983
My mom and Jack Ford
had known each other...
337
00:26:57,150 --> 00:26:59,352
...since they were both 18 years old.
338
00:26:59,519 --> 00:27:02,155
My father was
an idol of John Wayne's.
339
00:27:02,922 --> 00:27:08,194
He loved my dad's gestures,
his mannerisms and his style of acting.
340
00:27:08,361 --> 00:27:10,930
So when it came
to that final doorway scene...
341
00:27:11,097 --> 00:27:14,134
...my mom didn't know
what the Duke was gonna do.
342
00:27:14,300 --> 00:27:17,537
Wayne had modeled his style
on my dad...
343
00:27:17,704 --> 00:27:19,539
...and he kind of wanted
to pay tribute to him.
344
00:27:19,706 --> 00:27:20,974
We didn't know it then...
345
00:27:21,141 --> 00:27:23,543
...but it was going to become
one of the most famous scenes...
346
00:27:23,710 --> 00:27:25,011
...in movie history.
347
00:27:25,178 --> 00:27:28,448
What happened was Duke suddenly
caught sight of my mom...
348
00:27:28,615 --> 00:27:31,584
...standing behind the camera
in the doorway.
349
00:27:31,751 --> 00:27:35,855
And he reached over with his left hand
and grabbed at his right arm.
350
00:27:36,022 --> 00:27:38,558
It was a mannerism my father had.
351
00:27:38,725 --> 00:27:41,427
We were, all of us,
standing inside that house there...
352
00:27:41,594 --> 00:27:44,831
...and my mom was
right in Duke's eye line.
353
00:27:44,998 --> 00:27:49,035
She saw him do that
and she fell apart.
354
00:27:49,202 --> 00:27:51,337
Harry Carey Jr.
355
00:27:58,111 --> 00:28:00,413
John Ford is a piece of the West.
356
00:28:00,580 --> 00:28:02,448
He came out here, this Irish kid...
357
00:28:02,649 --> 00:28:04,918
...and started making silent movies
in the Old West...
358
00:28:05,118 --> 00:28:07,353
...when there was nothing here.
359
00:28:07,520 --> 00:28:09,789
The history of the movie business
was like the Old West.
360
00:28:09,956 --> 00:28:15,261
It was a place that was filled
with promise, and Ford fulfilled it.
361
00:28:16,362 --> 00:28:18,598
John Ford and John Wayne
brought an authenticity...
362
00:28:18,765 --> 00:28:21,367
...that you cannot find today.
363
00:28:21,935 --> 00:28:26,573
Ford was Wayne's commanding officer,
and Wayne would willingly follow.
364
00:28:26,739 --> 00:28:30,043
Ford led from the front
and instilled Wayne with confidence.
365
00:28:30,210 --> 00:28:34,047
And, you know, leadership hardens
and scars. It always does that.
366
00:28:34,214 --> 00:28:37,584
The leader is ultimately
cut off from everyone else.
367
00:28:37,750 --> 00:28:39,619
Ford was even
cut off from Hollywood.
368
00:28:39,986 --> 00:28:41,721
He couldn't wait to go to war.
369
00:28:41,888 --> 00:28:44,924
He called his wife and
told her he was off to Washington...
370
00:28:45,091 --> 00:28:48,261
...and didn't come back
for three years.
371
00:28:48,428 --> 00:28:51,397
Ford said that directing
was a job of work.
372
00:28:51,564 --> 00:28:55,235
He embodies the 20th-century
American experience.
373
00:28:55,435 --> 00:28:56,736
He became very successful...
374
00:28:56,903 --> 00:29:01,374
...but he never lost touch
with the Texican out there on a limb.
375
00:29:32,739 --> 00:29:35,541
After I had seen
The Searchers a few times...
376
00:29:35,708 --> 00:29:37,910
...it was completely fixed in my mind.
377
00:29:38,077 --> 00:29:41,180
The film was such
a seminal and primal experience...
378
00:29:41,347 --> 00:29:44,350
...that I was absolutely convinced
I'd dreamed it...
379
00:29:44,784 --> 00:29:48,121
...which was just right because
that's in keeping with the movie.
380
00:29:48,621 --> 00:29:51,491
It almost should be dreamed.
381
00:29:52,292 --> 00:29:53,593
John Milius.
382
00:30:16,416 --> 00:30:20,019
The first time I saw Monument Valley
was in 1948.
383
00:30:20,186 --> 00:30:23,156
We were making
She Wore a Yellow Ribbon.
384
00:30:23,323 --> 00:30:25,858
I feel a tremendous amount
of sentiment.
385
00:30:26,025 --> 00:30:28,828
It's a stunning location
and I still get lost.
386
00:30:28,995 --> 00:30:32,632
It's huge and the light changes
all the time.
387
00:30:32,799 --> 00:30:36,369
One minute it's purple. The next, red.
388
00:30:36,969 --> 00:30:40,239
Never the same thing twice in a row.
389
00:30:42,608 --> 00:30:45,345
It's just magnificent. Ford loved it.
390
00:30:45,511 --> 00:30:47,580
You know, I think his spirit is there...
391
00:30:47,747 --> 00:30:52,085
...maybe hanging in the wind
by John Ford Point.
392
00:30:53,820 --> 00:30:56,022
He should've been buried there.
393
00:30:56,189 --> 00:30:58,124
Duke Wayne too.
394
00:30:58,291 --> 00:30:59,726
Matter of fact...
395
00:30:59,892 --> 00:31:04,464
...they should be buried side by side
right there in Monument Valley.
396
00:31:04,630 --> 00:31:06,699
Harry Carey Jr.